It was also influenced by a totally naive approach to the then relatively new digital recording process. It was influenced by the drift and throb of ambient music, krautrock, electronica, outsider pop and the dark funk of Sly Stone, James Brown and Funkadelic.
I wanted to make a beautiful record that didn’t need to beat it’s chest or prove that it could ‘rock’. “My main inspiration when writing and recording Star was to make a record entirely different from the rock n roll glory of the Straitjacket Fits. Carter shared his excitement for how the new Dimmer lineup will bring his personal favourite album to life on stage this spring. Joined by Dimmer veterans Gary Sullivan (JPSE) and James Duncan, Carter's live band also includes Dimmer engineer / co-producer Nick Roughan (Skeptics) on keyboards and electronics, Louisa Nicklin, Neive Strang and Die Die Die bassist Lachlan Anderson. He emerged from the process artistically renewed and fresh-faced with a decidedly non-rock sonic palette, encompassing moody avant-electronica, motorik, funk and soul, serving up killer single / videos 'Evolution', 'Seed', 'I Believe You Are a Star' and 'Drop You Off'.Ĭelebrating two decades since the new dawn of the Dimmer era, Carter has assembled a stellar band to perform songs from I Believe You Are A Star as they have never been played before, all throughout Aotearoa in September and October. Created over five years and launched in 2001 via Sony Records, Carter embraced the newly accessible world of digital music production to write and record I Believe You Are A Star, as detailed in the artist's candid award-winning autobiography Dead People I Have Known. Carter unleashed the long-awaited debut album from Dimmer, answering the question of what could possibly follow his global success with Straitjacket Fits. Mimi Xu is the publisher of Trax Magazine and DJs under the name Misty Rabbit.At the turn of the millennium, Dunedin icon Shayne P. Hangout to watch – Le Sans SouciĪ great dive café where you can hear alternative rock, new wave and pop. Home of the Paris bloggerati, expect to hear banging techno and electro from the likes of Para One, Breakbot and the Club Cheval collective. Modernised by Phillipe Starck in the 1980s, this fin de siècle concert hall has played host to everyone from Prince to Red Hot Chili Peppers to Justice. Signed to Ed Banger, this DJ/producer can transform a dancefloor with everything from old disco tunes to banging techno. Their last album Alesia was produced by Philip Zdar of Cassius. Parisian pop-rock duo who put on a great live show. It's about time: French music is not just about love and roses. After releasing polemical single Sale Pute (dirty whore) in 2009, on which he directs his verbal venom at an ex-girlfriend who cheated on him, the rapper sparked a small political earthquake dividing the conservative parties and freedom-of-speech defenders. Young white rapper OrelSan, born in Normandy, is another name to watch.
As a reaction to the commercial hip-hop played on French radio these days, a crew of rappers including Oxmo Puccino, Dr Jazz and SI – mostly second generation immigrants growing up on the outskirts of Paris – release more organic productions qualified as "old school". Acts of the 1990s such as NTM, IAM, Assassin, Little MC, Ministère AMER, Les Sages Poètes de la Rue, 113 and MC Solaar are the foundation of today's French hip-hop scene.
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Hip-hop arrived in France in the early 1980s with the growing underground popularity of American graffiti culture and a vastly popular TV show called HIP HOP. Albums by Air, Daft Punk, Cassius and Phoenix all contributed to putting French music back on the map again. When Music Sounds Better With You – a collaboration between Daft Punk's Thomas Bangalter and his friends Alain Braxe and Benjamin Diamond – hit the charts in 1998 and sold two million singles, the world finally started to take French pop seriously. In the mid-90s, downtempo acts such as Air, La Funk Mob and St Germain triggered interest outside of the country. A crew of emerging DJ/producers such as Etienne De Crécy, Philippe Zdar (later of Motorbass and Cassius), DJ Gregory, Shazz and Kid Loco starting making techno music, inspired by their roots in rock, hip-hop, funk, disco and jazz. DJ Laurent Garnier started playing house music from Chicago and Detroit to eager French crowds.
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Following the crackdown on illegal raves in the UK circa 1990, promoters such as Spiral Tribe exported their free parties to the rest of Europe and especially to France. Reading this on mobile? Click here to viewĪ simple twist of fate sowed the seeds for the French electronic music boom.
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